posted by Allan Haverholm on May 11

Here’s a couple of shots I took on the move.
One is a bull that I might use as an inspirational piece for Dry Spot or Ariadne (there’s a lot of cross referencing all across the book)

The other just struck me as funny the way it forms a Venus from Willendorf-like figure in the formal language of emotica. I guess it’s a shape that fascinates across the millennia, which just fuels my pictorial fundamentalisms